Wednesday, August 24, 2011

Amateur Novelization of the Movie "Love Actually"


            I just happened into the Common Grounds coffee shop right off campus and, oh my God, the most beautiful girl works here, and I don't know if I'll ever leave.

She has slender arms and neck and a jarring kind of collarbone under a blouse flowery in both its pattern and fit. Her legs are slim, too—but she still has an ass, and breasts are apparent despite the loose hanging flowers, despite the otherwise perfectly lithe figure. There's no wasted flesh on this one.

            Her face is bright and striking and speaks kind words and whispers truths like the-secret-of-life-is-love—and who could deny that to stare in those eyes for eternity would be the best possible fate, and to have sex with that body while doing so would be even better.

            She walks around the corner to rub-down a table with a wet rag, and I look up from my coffee to stare, to study, and to wonder. I watch as her kinky brown ponytail bobs a bit from the back of a baseball cap—an understated adornment, a public cover of her soul's complexities, no doubt—or perhaps a perfunctory feature of her professional ensemble. I look downward, linger, look down her contoured calves and ankles to her feet where she dons what look like Converse All-Stars, but they're not Converse All-Stars, but something much better; something so subtly high-fashion—subtly expensive, I'm sure—they can only be found in certain big cities at certain chic stores and, even still, only if you know who to ask about the back room.

            Her face, sure, is reminiscent here-and-there of so-and-so, such-and-such a beautiful girl, but to simplify a face—a face so stunning, so invigorating to the soul as to implicate the existence of a soul—to a mere compromise of "X" and "Y" would be to commit such a devastatingly crude and immoral crime as to render me unfit to glance at the eyes. This girl was certainly conceived someplace beyond parents.

            She is probably twenty-two years old, though; she probably has a car and a nice apartment here in town—maybe a boyfriend, too. She probably has a twenty-two year old grad-school boyfriend who wears tight fitting plaid flannels year-round and has gauged ears, and is the foremost authority on obscurity—it’ll be his thesis, in fact. Or, Heaven forbid, I hope to Hell no, he's some douchebag with shorts below his knees.

            How could I stand a chance in the face of all that—against the likes of those two? I eye myself up and down and see I'm in a two-day-old outfit; I see my reflection in my laptop and the black crescent moons, the short haircut my mom clipped for me, and the pervading look about my brow and eyes and lower lip: like an uncertain freshman, which is what I am.

            Unwilling to give up, I scowl a bit more and look disinterested in my surroundings. I turn a page of the hard-bound book I'm reading, which appears rigidly and horrifically academic—perfect for this persona—and I solemnly sip my black coffee. Its surface reflects no light.



            Well, after that initial trip to Common Grounds I made myself a fixture, all the time cultivating this terribly intriguing image of Intellectual, Disinterested, Coffee-Drinker. My hair grew longer and my clothes became more stylish, more flannel—at the heighth of fashion, you might say—as I devoured books and scribbled furiously week after week in small hardbound notebooks or, when I wanted to make a real statement, on loose-leaf, scraps, or the cardboard sheaths from steaming black coffees.

            More and more this angelic little devil began to notice me; as I sighed, frustrated, rubbing my hand through my hair and glancing around the room with all the boredom I could muster, I saw her more than once staring at me abstractedly with her lips just slightly parted.

            Eventually the fall got on and the campus turned autumnal; I trekked the daylight through Thompson Woods with shoulders hitched toward my ears and my teeth clenched in audible it’s-brisk inhalation. My once stylized academic, coffee-drinking persona had become very much who I was; having arrived at Southern Illinois with no identity, all it took was a divine face and figure to provoke an obsession and steer me toward erudition. I was outspoken and pretentious in my classes but, I’d like to think, I backed up my talk with impressive performance: I was batting four-point-oh and had heralded the recognition of my peers—as the pompous ass you love to hate, like a literary sports team that always wins.

            After Anthropology 104 let out with a big breath of excitement I’d rush over to Common Grounds, for two or more hours of exalted absorption of Melville, Hawthorne and Beecher Stowe. By late October I’d torn through the entire “Major American Writers” curriculum and been through all of F. Scott Fitzgerald’s books. Having completed all my immediate class assignments, I was busily writing an essay entitled “Life Doesn’t Imitate Art, It Imitates Bad Television” comparing conflicts in the movie Husbands and Wives to what personal turmoil Woody would soon endure, for my own reasons, when she, the most attractive girl alive, nervously asked me out for a date. That is to say she asked me on a date.

            Not knowing what to do, I scoffed. “Yes, I’d love to,” I recovered, still sneering. Twenty minutes later we were walking toward her apartment which she shared with her ex-boyfriend Cal, who, she made clear, was nothing more than a friend if even that.

            I talked in big language and drew myself up to my almost six-three, and when she eyed me there was a sparkle there. Her nose and cheeks were chilled rosy red and I thought for an instant I might collapse beneath her beauty as we strode the short distance to her red-brick apartment.

            Her name changed twice during that walk. By the time we arrived at her door I called her Olive—maybe the best name I could think of.

            It was then she put on Blonde On Blonde, and we smoked a joint in the sparsely furnished living room. We talked, talked, passed, and as quickly as I got stoned my pretentions unraveled into rambling neurotic monologues. She was very quiet sitting with a pleasant smile and low, glazed eyes that bore no ill-effect on her attractiveness but—was it possible?—made her even more endearing. Then there was a key at the door and in came Cal—Cal, who upon conceiving I knew I’d ultimately hate—Cal, who was slight of build, with a light brown beard and just too charming a smile.

            “What’s up, man?” he said so casually, before disappearing down the hall.

            “That’s Cal,” Olive said.

            “Yeah.”

            He returned with his own pot and paraphernalia saying “Hey man, do you smoke?”

            “Yeah—I mean, I’m already pretty high”—dipping my head toward Olive as if to indicate where and when this came about. “But if you’re offering…”

            The three of us sat passing a pipe. “Do you smoke a lot?” Cal asked. “No, not really—mostly I drink.”

            “Why, man? Drinking’s so much worse for you.”

            “Yeah…yeah, I drink to forget.”

            He scoffed. “Forget what?

            “It’s funny,” I said, completing the classic bit, “I can’t remember, so I guess it must be working.”

            Olive coughed loudly and covered her mouth with her one free hand, blushing, laughing, coughing—beaming at me. Cal sat with annoyance sketched across his face.

           

            If love dissipates the second you begin to analyze it, then, accordingly, Olive and I were careful not to appraise our lust. It was perhaps the strangest relationship I have ever been in in that we avoided all the basic framework of close interpersonal relationships. She didn't know, for instance, my parents' names, my friends from home, my biggest aspirations, or, unbelievably, how old I was. She never asked. I liked to think that some arbitrary number of planetary cycles was trivial in our more mature relationship, but this was probably an unreal rationalization. More likely, I think, I avoided these basic points because I knew I could never really be with this beautiful coffee clerk.

            The basis of our relationship instead was a simple give and take: she invited me to parties; I brought hard liquor and a sardonic wit.

            Mother,” I’d say, spontaneously, drunkenly launching into a character, “The black kids here smoke marijuana. Just watching them mill about in their oversized—bloomers—makes me feel disreputable and unclean. What a shame how they sacrifice identity to, to—basketball hoops, and cancerous vegetation. For God’s sake, Mother, I couldn’t tell my very roommate from any other member of the, uh, black persuasion if he robbed me at gunpoint!” Then I’d recede sheepishly into some quiet corner of the room, to nothing more than chuckles, or annoyance, mostly—but always a look of adoration from Olive, for my improvisational prose talents.

            “Most wine connoisseurs agree that 2009 was the best year since, well—’32, of course” I’d begin. “Wait, really?” “No” I’d continue, removing the twist-off metal cap, “You’ll notice a subtle corky flavor—don’t be alarmed by that. Made from only the finest grapes plucked from the verdant hills of Winesburg, Ohio, Purple Cow is a bold, lusty wine sure to make you dance and sing!”

            And this was my way at these parties until, invariably, Olive got me alone and we together enacted my daydreams.

            When it came to the-two-of-us she was overtly coy, I could say; she would grow quiet and detached from everyone at a party, myself included, before quickly exiting alone—to where one could only imagine. A few minutes later she would walk wordlessly back and gesture for me to join her, or simply take my hand and lead me away, as if the brief disappearance had voided her from the heads of the other houseguests—as if she’d become invisible. Before long I learned to follow her on cue, and we’d retreat to someplace, anyplace, anyplace we could think of to make love.

            She was a seemingly telepathic lover: depending on my moment’s particular want she played either meek and defenseless or aggressive and domineering. We would have sex for hours in endlessly imaginative positions as my hands and mouth made the impossible effort to keep pace with desire and impulse. One second I was glancing over her back to where her hair hung down, hands on her ass, and yes, the very next I was thrusting passionately across her chest, occasionally kissing her left breast. Immediately she was on top.

            And sometimes there were threesomes with girls I knew from home.

            But our relationship was damned by structural instability and as surprisingly as it had started it was bound to stop. It all fell apart at an anachronous Halloween party—it had grown cold so long ago, so far south, and we’d been fucking so regularly for so long it could never have been Halloween. But I wanted then to dress her in costumes, so it was.

            I dressed her as a sexy cat. I dressed myself as a football star. I threw the party at Cal’s close friend’s house whose name, for whatever reason, was K-E-L-L-Y-N—“Kellyn.”

            But upon arriving at Kellyn’s house I saw Olive and Cal sitting secluded on a couch chatting abstractedly; I had a sinking feeling of disappointment and I knew instantly what was happening, what had to happen, the only thing I knew to happen: I was being forgotten in favor of another boy. I looked at them and then pivoted, suddenly self-conscious of standing strangely in the center of the room. Kellyn was standing right before me, four feet tall, dressed as a giant pumpkin.

            “Hey man, I’m Kellyn” he said extending a palm.

            “Yeah, I know” I said bitterly, begrudgingly shaking his little hand.

“Who invited you?” he asked, grinning insanely, masturbating furiously.

“Olive and Cal.”

“Ah, my main man, Cal! He’s getting it in tonight, don’t you think?” Kellyn tossed a thumb toward the couch, where Olive and Cal were having violent sex.

“Yes, I guess he is.” I was tired. I was tired of the way the year had turned. So instead of staying there I made love to Olive, one last time, with her still in cat costume.

The stereo in my head began blaring as her whiskers quivered in ecstasy: “Beat the pussy up—beat the pussy up.”



I start laughing. I shake my face off the brim of the cup and finish my cold coffee. I gather my things together and take one more look at the nameless coffee clerk. “Jesus Christ, that girl’s hot” I think. I get up and walk out into the oppressive August heat, singing to myself, “I really did try to get close to you…”

            

Monday, August 1, 2011

Quick Thoughts on This Weekend

            "Where were you heading?" my dad asks me.

"I was just walking up two blocks to call you from Casey's."

"You couldn't just wait around? I'm not that late or anything."

"I know. I was just walking up two blocks to call you from Casey's."

"I mean, 4:43 a.m. is kind of a tough time to hit spot-on."

"I know. I just stepped outside and saw the world around me—it seemed violent, unreal—I’m not accustomed to The Outside."



I wake up on a stale lima-bean mattress and hard pillow, which I immediately knock off the head of the bed to the bunk below. "Fuck." I've come into a cold sniveling state and I know my sleep is done; whatever time it is I'll be awake until release. I look through the narrow hard Plexiglas window to the scene outside: a sweeping parking lot majestic in its total vacancy and some industrial-looking smokestacks. Using my hands lamely, scrunching my face in focus I determine which way is what and where the sun might rise: East today, probably. That's the opposite side of the prison and I can't see any early-morning rays. I need badly to blow my nose so I drop as lightly as possible to the cement floor below, turning to rifle through my plastic bin of commodities. I take out my personal roll of toilet paper and leave the room quietly. I know I have some obligations to attend to, and I know that will kill some time, so I check the clock now and decipher in the darkness the digits 3:53. I'm relieved. It could just as soon be 1:00.

Sitting on the toilet with my jumpsuit around my calves, in plain sight of anyone who'd happen by, a familiar line of prose happens through my head. It's from William Carlos Williams' short introduction to Howl, and it goes: "Say what you will, he proves to us, in spite of the most debasing experiences that life can offer a man, the spirit of love survives to ennoble our lives if we have the wit and the courage and the faith—and the art! to persist." I don't know about "spirit of love," and I've never produced a work of "art!" but sitting there with the taste in my mouth and the scruff on my chin—(when the body is subjected to jumpsuits and lousy living conditions, a chemical is released causing course and uneven facial hair to grow at unprecedented rates, just to complete the image of downtroddenness)—I certainly thought "debasing experiences, debasing experiences,” like a persistent echo of humiliation.



I sit to the side of a TV suspended on the wall at a wobbly table ranking my "favorite things," one to one-hundred-and-one. This includes people, places—musicians, songs, books, psychoactives. I compile it quite neat and orderly with an all-caps heading including the date. To the right of each item I include categorization—“1. Sex—Biological Pursuit; 2. Writing—Creative Pursuit; 72. Spaghetti with Meat Sauce—Hearty Meal; 101. Ranking Things—Neurotic Habit" and so such drivel just to make it through time, just to eat up some time. A six-foot-five, three-hundred pound inmate of what we call the "black" persuasion asks me "What are you doing," and points at my pile of chicken-scratched loose-leaf. "Uh, just killing time," I say shrugging. He doesn't follow up.



The cushions have come off Sarah Keane's couch, so we should put them back on. But there's only one cushion—how does it go? I say it goes like this but Brittany stalls, puzzled. At last she accepts it and the couch fills up quick, but I sprawl-out on the floor lazily, entirely comfortable. I smile drunkenly and say "I love you, Maddie Ficken, you're the best," or so, and reach out and touch her arm as she smiles from the couch. This gets a big "Aww" from the audience and I roll onto my back. "These benzodiazepines are the best," I say—and then I start excitedly—someone just said "Xanax" on the TV and I'm giddy from coincidence. Then I see the narrow Plexiglas window and I'm awake, out of the hypnagogic state I sometimes enter when binge-drinking interrupts my sleeping habits. I've managed to sleep—for how long? And what the fuck kind of crazy dream?



I'm called alone from the "Drunk Tank" to be transferred to General Population. First I'm taken back for a change of jumpsuit and a routine strip-search. I stand before the officer stark naked and sweating slightly. "Lift up your scrotum, for me. Turn around. Show me the bottom of your right foot—left. Spread your legs apart." I’m thinking, in retrospect, this is what I should have done earlier this morning: I should've taken the hard-plastic "spork" I was given to eat my Mini-Wheats and shoved it up my asshole. Then, using my determination and world-class forearms, I would use that little spork to tunnel my way to freedom, effectively reducing my 36-hours-to-life sentence, Shawshank Redemption style. As I stand bent over my white scratched-up calves I lament my shortsightedness. But I hold no resentment for the guard: he is simply doing his job. The guards work alternating twelve hour shifts; they appear tired, weary—passionate flame to uphold the peace burnt out from years of doling out Tylenol and cheap Salisbury steak to ungrateful inmates. Yes, empathy is the key. There is no difference between the cop and the kid getting busted—they all relate to a universal oneness.

It's just, of course, the cop's a total asshole.

I'm taken back to Cellblock I and introduced to real hard-time jail. I'm assigned a room where I lay my mattress and pillow on the narrow top-bunk. I brush my teeth in the dirty white-porcelain sink, seeing my face is more white, pimply and worn-out than I recently remember. I nervously situate myself beside a stack of magazines (Car and Driver, GQ) and beat-up books of logic puzzles. It's only me and a fat, bespectacled middle-aged man with a newspaper out here this time of the morning. He greets me kindly and asks if I've just got in. I answer, yes, and ask how long he's in for. "Twenty," he says shortly, and I don't think he means hours.



I sleep for a couple hours before two things happened—in what order, I'm not sure. One, a guard brings me my milk and "walking taco" and tells me my release has been set for 4:43 a.m. Monday—35 hours from now, I figure—quick math, right—and two I am joined by my first drunken companion—a portly, bearded ethnic man who lays laughing hysterically, insanely, and muttering to himself something about "masturbate" and "Hawkeye." By one a.m. I am stone-sober and sleepless and the drunk tank is filling with characters fast. There's a blonde boy sobbing emotionally over some Public Intox or PAULA that might keep him out of medical school. There's a scowling short skin-head who looks like he was made not to speak or think but attack—hit things at high speeds with his truculent skull and snow shovel forehead; I vaguely think he was present at my last jail stay. The kicker for me is the last two to arrive, in quick succession for they were picked up together. They are in their early twenties, well-groomed, and look perfectly contented to spend their nights in jail. Please do not misunderstand me: I am not remotely homophobic and in fact, in the gay-marriage debate, I think it should be not only legal, but, perhaps, mandatory. But when they start kissing on the mat next to me, as I lay tireless and confused—I wish they wouldn't. To cope with anxiety and make it through the night, in the absence of a clock or conversation, I am plucking a single square of toilet paper at approximate fifteen-minute intervals. I give it up when I've stockpiled 28 tiny squares, or, I should hope, seven difficult hours. I wait for prison breakfast.

I'm escorted into the Johnson County jail with handcuffs on my wrists and borrowed flip-flops on my feet. "Through that door and straight ahead. Left at that door, through the open door back to the wood bench."

I am perfectly courteous and respectful.

"Blow hard, now. Okay." Time is hurtling two-speed but I feel lucid, coherent, sober. I'm stepping a straight line. "If you don't mind my asking, what did I blow?"

            "Why don't you take a crack at it."

            "Uh...point-one-four?" Too high.

            "Try doubling that, and subtracting four."

            "Point-two-four?"

            "Hey—quick math."

            "Right."

            Now they tell me to get naked and step into the bright orange jumpsuit. They put me through my steps, they take my mug shot (I playfully try to show as much tooth and eyeball as possible given the elasticity of my God-given face), and they give me my call—my mom. I ask her to bring the eighty dollars due for my retention, but don’t say "That's a good deal for a two-night stay." Then I'm walked back to the drunk-tank and left alone to get some quality sleep.



I wake up overflowing with angry energy and looking for some outlet. I'm scowling, fuming—I want to get drunk. I want to steal all the liquor in Cedar Rapids. I want to take something out on myself and take it out on the world, too, in this peculiar nonviolent way I know how. I call The Driver and throw on some clothes, big clothes, loose clothes, old clothes—I want to look as twenty-one as I can. I ask The Driver first to drive to the friendly CVS with uncapped handles of Black Velvet. It was a great find, an easy swipe—and now I've pilfered a half dozen of these handles in less than a month. I'm good at stealing. Cooking is an art, and most nefarious acts are, too: stealing can be beautiful. This was a routine job, almost too easy: I walked in past the cashier and the photo center, turned into the money aisle, waited for the overweight customer to mosey along, and did what I could do.

            "Well, they finally capped all the BV," I say as I enter the getaway car.

            "Oh, yeah?"

            "So I got Hawkeye, instead" I say smiling and pulling the big jug of poison from the crotch of my pants. Fifteen minutes later I'm shuffling through the Taco Bell parking lot adjacent to a Wal-Mart Supercenter with two bottles of Bacardi clanging in my pants. I flash a fat grin at The Driver and gesture humorously at the bulge. "Cashiers and greeters just think I look like the kind of guy with a big cock," I once said, explaining my gift, "They say 'Oh, he's got that big cock.’” The Driver and I head back toward our side of town, but not before stopping off for another handle of Hawkeye.

"Oh my God, Andy,” says The Driver, “How do you do it? You are untouchable—you’re some kind of God."



I start drinking at 7 o'clock Thursday, and I won't stop until Saturday afternoon. The time will be blurred in my memory—weaving in and out and waking up and coming-to at every different time and place. I'll be up and down the stairs, in and out of bed, even around Iowa City trapped in this crazy endless drunken vortex. My memories are anachronously twisted and tangled and all pervaded with the bad taste of black-out: did I say this, did I do this, did so-and-so get-with that-guy? By the time I'm tearing toilet paper I'm trying, impossibly, to get the events of two days squared up in my mind. "Okay:" I begin, and I start working forward from Thursday, "I woke up overflowing with angry energy..." and I step cautiously across haphazard memories until I reach the one that seemed to do it, to set this all in motion: "So then I took the pie, and ran...and he called the police...and they fingerprinted the pie..."